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Allegro (musical) : ウィキペディア英語版
Allegro (musical)

''Allegro'' is a musical by Richard Rodgers (music) and Oscar Hammerstein II (book and lyrics), their third collaboration for the stage. Opening on Broadway on October 10, 1947, the musical centers on the life of Joseph Taylor, Jr., who follows in the footsteps of his father as a doctor, but is tempted by fortune and fame at a big-city hospital.
After the immense successes of the first two Rodgers and Hammerstein musicals, ''Oklahoma!'' and ''Carousel'', the pair sought a subject for their next play. Hammerstein had long contemplated a serious work which would deal with the problems of the ordinary man in the fast-moving modern world. He and Rodgers sought to create a work which would be as innovative as their first two-stage musicals. To that end, they created a play with a large cast, including a Greek chorus. The production would have no sets; props and projections served to suggest locations.
After a disastrous tryout in New Haven, Connecticut, the musical opened on Broadway to a large advance sale of tickets, and very mixed reviews. Agnes de Mille, the choreographer of Rodgers and Hammerstein's previous Broadway productions, both directed and choreographed the work. The show was viewed as too moralistic, and the Broadway run ended after nine months; it was followed by a short national tour. It had no West End production and has rarely been revived. There are two recordings of ''Allegro'', the original cast album and a studio recording released in 2009.
== Inception ==

Oscar Hammerstein II had always wanted to write a serious drama, one which would address the problems of life confronting ordinary people. By early 1946, four years after his partnership with Richard Rodgers commenced, the duo had two hits (''Oklahoma!'' and ''Carousel'') on Broadway, and success as producers of musicals others had written. In March, Hammerstein approached Rodgers with the idea for a play with two men as the central characters, rather than the usual "boy and girl" format. Over the following weeks, the two discussed it, and the concept evolved into a musical about one man, a doctor's son, which appealed to Rodgers, the son and brother of doctors. By September, the general theme for the story had been established: the struggle of the main character to avoid compromising his principles as he progresses in life.
Hammerstein had thought of writing a play about a man, from birth to death. However, having just killed his leading male character, Billy Bigelow, onstage in ''Carousel'', he was reluctant to kill off another. In the end, he took his protagonist from birth to age 35. He envisioned a simply staged work like ''Our Town'' which after its initial run would lend itself to college productions. ''Allegro'' was conceived as taking place in an open space, using props and projections to convey scenery to the audience. In addition to the customary singing chorus, there would be a speaking chorus, in the manner of a Greek chorus, which would comment on the action, and speak to both characters and audience.
As background research about the medical profession, Hammerstein interviewed his own doctor. He wrote a few pages of the book before embarking with his wife for Australia to visit his mother-in-law; when his ship arrived in Brisbane he mailed Rodgers part of the remainder. On receiving the packet, Rodgers, who did generally not compose until Hammerstein supplied him with a lyric, immediately sat down and composed three songs. Hammerstein put a good deal of his own experiences into the play. According to his son, William, "Most of the first act was based on his own memories of his own childhood. He had always been intrigued by it, you know; his mother died when he was twelve. I always felt his songs came out of his feelings about her."
Hammerstein spent a year writing and polishing the first act, taking infinite pains over the wording. The second act was more rushed; under a deadline, Hammerstein completed it only a week before rehearsals began. Hammerstein's protegee Stephen Sondheim, who served as a $25-a-week gofer on the production, stated,

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